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DVD Review: Never Let Me Go

06.22.2011 by Nicola //

Clad in grey clothes and golden complexions, Hailsham students are special creatures. Raised to fulfil a very specific biological purpose in an age where life expectancy exceeds 100, their lives are empty vessels propelled directly from preschool to school, through adolescence, and directly into respite centres where they care for, or become, donors. Placing futuristic scientific treatments into a period setting (in this case, 1970s), is immediately unsettling.

Growing up at Hailsham, we are introduced to Cathy (Carey Mulligan), Tommy (Andrew Garfield), and Ruth (Keira Knightley) in a point-by-point set-up of their curious lives. Though the child actors of Never Let Me Go feel somewhat Harry Potter-ish, though, their gossipy cliques and painfully childish competition are offset by a stellar performance from Sally Hawkins. As newcomer Miss Lucy who connects with and battles with a desire to enlighten these strange children, her questioning glances and tidy, unpracticed explanations inject a healthy dose of unrehearsed realism to a world thick with convention and rules. Though the film makes berth at Hailsham, it really begins when Cathy and co are sent to farmhouses known as ‘the Cottages’ in the English countryside. A fragile-looking teen, Cathy carries her questions and insecurities in her wan frame, quietly searching for the answers behind their strange existence.

Best friend and crush Tommy, sequestered from Cathy’s affections by Ruth, is poignantly played by an adorably naive Andrew Garfield. Their innate chemistry and inept fondness carries a sincerity as hapless as it is heartbreaking. The disjointed, bitty selection of plot incidences from Ishiguro’s novel are bound together thus; betraying the undercurrents of a relationship between friends shackled together for life in the confines of huge, constricting homes and stifling rumours.

Stories grow up around them as they meander through life with their awkward make-do trinkets and fashion sense. Like Ishiguro’s students, they share an intoned way of speaking that’s at once innocent and world-weary, all the while conveying a the cramped egos of children denied the love and nurturing of growing up. Stunning locations and beautiful set design converge with a subtly piercing pallette, melding real English countryside and old town beauty with a world that’s not quite our own. Though initially piecemeal, Romanek’s vision transforms Ishiguro’s ethereal novel of questions into a well-crafted story of tragic love.

Never Let Me Go is released on DVD in the UK on 27 June.

Categories // Film

Classic Re-Release, BluRay Review & Give-Away: Win Apocalypse Now

05.27.2011 by Nicola //

Okay, I admit it. I had never seen Apocalypse Now.

I did, however, feel like I had seen it. After 4 years as a film student, I’d seen every memorable scene, but never the film as a whole. With a cinematic and BluRay re-release looming, I ordered myself an advance copy, booked myself onto the BBC Movie Café, and arranged for Apocalypse Now to make its big(-gish) screen debut on my living room telly.

Based loosely on Joseph Conrad’s turn-of-the-century classic Heart of Darkness, Apocalypse Now was written by John Milius and intended to be directed by George Lucas in collaboration with Francis Ford Coppola during the Vietnam War. After disputes with Warner Bros, Coppola and a move to make The Godfather I and II. When he returned to the script years later, the feature’s production trials and tribulations began.

What struck me most about the film was its startling intimacy. Every colour and every wrinkle is captured as though in macro zoom. Though we’d rather languish farther behind, the camera brings us close, too close, into the green eyes of Willard; their long looks paired with his slow, desperate, punctuated speech. This physical closeness is impacted further by all manner of oppression: oppressive heat, oppressive lies, oppressive secrets, and that thick, heavy jungle air.

As I watched, I wondered, how would this look in 3D? The constant smoke adds depth rather than obscuring as it does in contemporary 3D cinema. Here, though, it’s part of the atmosphere and not the spectacle. The turquoise ocean spread beneath a convoy of helicopters blasting Wagner’s Flight of the Valkyries is yesterday’s troop of tanks rolling in an explosion of Drowning Pool — something timeless co-opted by something so iconic that it becomes timeless in itself. The debris, death, and destruction that batter your eyes and ears, these explosions of flimsy wooden everything, are a cinematic experience that transcends time.

Timeless too are the smaller moments, and a favourite of mine is Robert Duvall’s Lieutenant Colonel Bill Kilgore. Willard says that you can tell Kilgore will never get a scratch in ‘nam, and that’s exactly how Kilgore moves. The mania around him merits naught but a glance, his movements smooth as those around him jerk, turn, and duck. Walking upright through a minefield and rueing the imminent end of the war with a disappointed grimace, he revels in the madness of war in a stark contrast to its upcoming tragedies. It’s a confident quietness that is soon replaced with unmerciful filmmaking – the quiet sadness of death. These palpable shifts between acts are like the 3 stages of darkness laid out in Conrad’s novel. Between the shivering drunken insanity of Willard and the deeply ideological madness of Kurtz, there lie this pair of moments — one of strength, and one of sadness. These are the moments that split the war into acts: three dimensions of darkness into which we descend, waiting for the moment when we miss the bottom step.

Apocalypse Now is re-released in UK cinemas on Friday 27 May, and on BluRay on 13 June.



I’m giving away 1 copy of the new, remastered Apocalypse Now on 3-Disc BluRay from Optimum Releasing.

Featuring the remastered film, Apocalypse Now Redux, making-of documentary Hearts of Darkness, and a boatload of brand new extra features. All you have to do is:

  • Leave a comment telling me the name of a classic film you’re embarrassed not to have seen.
  • For an additional entry, leave a comment & Tweet the following: “Win Apocalypse Now on BluRay at Uncultured Critic! http://bit.ly/m3Xx8X”

Which classic film you’re most ashamed not to have seen?

One winner will be selected at random next Friday, 3 June.

Good luck!

Categories // Film

Radio Review: Apocalypse Now on BBC Movie Café

05.26.2011 by Nicola //

Today, I’ll be appearing on The Movie Café radio programme on BBC Radio Scotland to discuss the re-release of Francis Ford Coppola’s Apocalypse Now.

You can tune-in live at 1.15pm or stream the programme later on the Movie Café homepage.

Check back tomorrow for a chance to win the brand new 3-Disc Apocalypse Now BluRay!

Categories // Film

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