Crossing the Line, the new strand at this year’s Glasgow Film Festival, brings experimental and avant-garde films to the Glasgow, exploring the crossover between cinema and visual art. Finnisterrae is, in many ways, an excellent introduction to experimental filmmaking, blending stunning vistas with an unusual, almost farcical storyline of two ghosts in limbo. Tired of being spirits, they ask oracles and whimsical beings how to become living creatures, resolving to take a journey to Finistarrae – the end of the world. At once weird and wonderful, gently creepy, but remarkably structured, it’s a slow and philosophical pilgrimage that invokes odd recollections of Silent Running and Monty Python. Some segues into visual art – a dream of naked dancing ghosts and a self-conscious insert of 80s Catalan visual art – feel forced, but these are balanced with beautifully wacky run-ins with creatures of the netherworld. Above all, the striking image of white-cloaked beings staring into the camera with their jet-black eyes makes Finisterrae an innately compulsive watch.

Glasgow Film Festival runs until Sunday 26 February.

As a wise woman named Jeanine Basinger once said, “You give your heart to Fred Astaire but you save your body for Gene Kelly.” And save itself Glasgow Film Festival did, right up until this year: the centenary of Mr Kelly’s birth. The MGM man with the superstar gene will be honoured as the subject of the festival’s 2012 retrospective.

One of the greatest all-round talents of his time, he tap danced his way across tinseltown in roller skates, sang in the rain, and left his American heart in Paris. “Gene Kelly led a one-man revolution in Hollywood that changed the screen musical forever,” explains Glasgow Film Festival co-director, Allan Hunter. “He really pushed the boundaries of what was possible and created a uniquely American art form that dazzled the world.

“His work has withstood the toughest test of all – the test of time. The films in the retrospective are as joyous and captivating now as the day they were first shown. Audiences are in for a treat with a rare chance to see them in all their glory on a big screen.”

Nominated for the Best Actor gong at the 1945 Academy Awards for Anchors Aweigh (20 Feb), Kelly won a special Oscar in 1951 for An American in Paris (19 Feb) recognising his ‘brilliant achievements in the art of choreography on film.’ The Glasgow retrospective includes both titles, along with On the Town (23 Feb).

Scots favourite Brigadoon will be screened on 24 Feb, followed on 25 Feb where you can see it again at St Andrews in the Square along with a very special event: the Gene Kelly Ceilidh. Don’t miss your chance to celebrate a couple of his worthy co-stars, Debbie Reynolds and Donald O’Connor, in the pièce de résistance of this year’s retrospective: a special 60th anniversary screening of Kelly’s immortal classic, Singin’ in the Rain (18 Feb, 1.30pm). Come on with the films, I’ve a smile on my face…

After an outstanding festival journey, a Tribeca World Documentary Award, and praise from Alec Baldwin, music video director Alma Har’el’s debut feature Bombay Beach finally reaches cinema screens across the country. The documentary tells the lyrical story of California’s forgotten residents, the of low-income citizens of Salton Sea. Music from Beirut’s Zach Condon intermingle with ethereal dance sequences and choreographed scenes scattered amongst real-life events. At once carefully composed and fly-on-the-wall, Har’el’s distinctive approach is that of a hybrid documentary, as she plays with the desert light to draw us in to the inner-workings of the locals’ dark pasts and family lives. The story tells itself, making plenty of room an artistic flair and injection of sound that elevate the film from a simple documentary to an artistic exploration. Given the colourful flourishes and strains of Beirut, it’s so engrossing you could watch Har’el film a toilet flush if it looked and sounded this pleasant.

Watch an exclusive clip from the film:

Bombay Beach is released in UK cinemas on 3 February 2012. Find a list of UK screenings on the official website, and more info on Facebook and Twitter.


The film is also available to buy on DVD in the USA, here.