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Review: SoulBoy at Edinburgh International Film Festival

06.18.2010 by Nicola //

A charming film from Shimmy Marcus, SoulBoy is the story of Joe (Martin Compston, Sweet Sixteen), an aspiring cool guy in his late-teens. Life in Stoke-on-Trent becomes more exciting when a new girl in town (Nichola Burley) introduces him to the world of Soul. With his heart set on her, he throws himself into the Northern Soul music scene, making his first appearance at its epicentre: Wigan.

It would be easy to slap a “coming of age” badge on this film in the same way that the soul kids advertise their favourite artists on their leather bowling bags, but SoulBoy deserves a more nuanced description.
No issue is left untouched, giving Joe a place in the real world of relationships, role models, moral decisions, and demons. Its setting is tight in scope but universal in story as Joe tries to find his place in an established culture with customs, behaviours, and a strict social hierarchy.

The soul tunes set the tone with a bouquet of hits to reflect every occasion. Meanwhile, a subtle nostalgia is at play with the warm tones and smooth rhythms of the dance-floor.

An endearing British film that hits all the right notes.

Categories // Film

Edinburgh International Film Festival: Days 1 & 2

06.17.2010 by Nicola //

Day 1 – Opening Gala, Red Carpet, The Illusionist & Opening ‘Do.
Edinburgh International Film Festival’s 65th year began in style last night with the classiest of red carpet events. The Opening Gala film, The Illusionist, attracted guests from Scotland and beyond. With showgirls, ladies on 6-foot stilts, strongmen, and a jazz band, the red carpet rolled out upon Nicholson Street in front of EIFF’s newest venue, the Festival Theatre.

Guest stars included newly-Knighted Sir Patrick Stewart, Scotland’s own Sir Sean Connery and Ewan Bremner, comedians Scott Hill and Ben Miller, a gorgeous America Fererra, and ex-Bond Girl Brit Ekland. Director of the opening film Sylvain Chomet looked delighted, taking in the spectacle and giving interviews. We live-tweeted some quick photos from the press pen, which you can see at the @edfilmfest Twitter page.

As the guests sat down to enjoy some more festivities and the premiere screening of The Illusionist, I scurried off home to prepare for the opening party. The big news from the screening was Sylvain Chomet’s announcement that, “Edinburgh is better than Cannes!” What a charming man!

The opening party was soon in full swing at the Teviot – part of the University of Edinburgh. It’s a lovely old building and classic student union, full of winding staircases and hidden rooms that you only find when searching for a lost pal. Lots of press members were there. Chomet was the first one spotted, having a lively conversation on the staircase. Ewan Bremner and Mark Cousins were chatting away, and apparently Simon Murdoch passed by several times. Maybe next time!

Day 2 – Feeling Fragile, first screenings & Pelican Blood Red Carpet
It was a slow start this morning, with an ambient buzz around the filmhouse after last night’s festivities. Many foreheads were clutched and the pace was a little more relaxed. A lovely morning and the sun had his hat on all day!

After convening at the Filmhouse, it was time to get in on the press screenings. The first up was SoulBoy, a charming slice of life film about the Northern Soul music scene of the 1970s in Wigan. Another spotting of Sir Patrick, who is captaining the Michael Powell Jury. SoulBoy is nominated for the Michael Powell award. Mark Cousins was also in attendance. A full review of SoulBoy will be up in the morning.

On the way there, we also witnessed Sir Sean Connery unveiling a plaque in his honour at a nearby building.

Next up, Jean Reno’s latest French feature, 22 Bullets (L’Immortel). It’s a frenetically paced gangster drama that rains bullets and makes the familial relationships in Godfather look like an awkward blind date. Positively fraught with tense energy with absolutely stunning cinematography and a blinding score from Klaus Badelt. Definitely one to look out for.

The Pelican Blood World Premiere was next – with an understated red carpet event at the Cineworld Fountainpark. Tipped as one of the best British Gala films, it is another nominee for the Michael Powell Award. Sir Patrick made another appearance in full Highland dress, took some photos and made his way in for the picture.

Tomorrow looks to be fairly hectic, with lots of first screenings of some of the festival’s biggest (and silliest) films, including Jackboots on Whitehall, Superhero Me, and the world premiere of comedian Ben Miller’s debut film Huge.

Check back for more blog updates, and you can follow me on Twitter @robotnic for live updates.

Categories // Film

Classics: His Girl Friday

06.16.2010 by Nicola //

The Classic: His Girl Friday (1940)
Director: Howard Hawks
Starring: Rosalind Russell, Cary Grant

The Excuse:
This one was brought to my attention a few months ago. It’s free to watch on LoveFilm online and Netflix instant. I finally got around to it.

The Review:
Fast paced, verbose, and practically fizzling with on-screen chemistry, this absolutely grabbed me. Set back in the days where journalism was a noble profession doing which you could get away with murder, it’s a pre-noir comedy with dialogue faster than the Gilmore Girls could ever dream to achieve.

Rosalind Russell stars as Hildy Johnson, a keen journalist and independent woman. Having recently divorced the editor of Chicago’s biggest morning newspaper, Walter Burns (Cary Grant), she returns to the paper to inform Walter that she is to marry an insurance broker by the name of Bruce Baldwin.

Walter  quickly launches a full-frontal assault upon their marital plans in order to steer Hildy back into journalism and his arms. With two hours left until Hildy and Bruce depart from Chicago, Walter’s scheme snowballs until the laughs are as numerous as the declarations of, “Operator!”, and “Hold the wire!”

The Verdict:
Russell and Grant are a perfect match. The blistering speed at which their lines are delivered is matched by the swiftly paced and unencumbered plot. Bruce bounces back and forth like a yo-yo as Grant careens in and out of the story with charisma. If one film turns you on to the charms of Mr Grant, this has to be it.

Favourite Quote:
It’s a dead tie between these two.
“Diabetes! I ought to know better than to hire anybody with a disease!”

“Oh, good evening madam. Now listen, you ten-cent glamour girl. You can’t keep Butch away from his duty!… What’s that?… You say that again, I’ll come over there and kick you in the teeth!… Say, what kind of language is that? Now look here you. – eeeehhhh!”

Further Viewing for Experts:
How about the ENTIRE FILM on YOUTUBE?!

Have you seen His Girl Friday? What did you think? What’s the best classic you’ve watched lately?

Categories // Film

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