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Rich Hall’s Continental Drifters

11.24.2011 by Nicola //


Comedian Rich Hall hits the road as he takes us on his personal journey through the road movie, which, from the earliest days of American cinema has been synonymous with American culture. With his customary wit and intelligence, Rich takes us through films such as Bonnie and Clyde, The Grapes of Wrath, Thelma and Louise, Vanishing Point, Five Easy Pieces and even The Wizard of Oz. He explores what makes a road movie and how the American social, economic and political landscape has defined the genre. — BBC

Rich Hall returned to the BBC with the latest in his series of films about the movies this week with the eagerly anticipated Continental Drifters. Taking on the American road movie in what my man has dubbed the comedian’s, “pre-packaged American culture to be consumed by Brits,” Hall’s new dissertation follows the same formula as his How The West Was Lost and The Dirty South, albeit with some further refinements.

Beginning with an introduction to the road movie and his somewhat arbitrary definition, Hall argues that a true road movie is not only about a pair of characters going from a to b, but that they are in some way disenfranchised. A selection of key films are up for discussion from Easy Rider to Thelma and Louise and The Grapes of Wrath to Dumb and Dumber. Unlike Hall’s earlier forays into film culture, Continental Drifters is less bogged down by constant music video style reel of clips, giving him room to consider and argue the merits of each film and how it fits into the historic and cultural milieu. And, as with all retroactive genres (I’m looking at you, film noir), this link is easy to delineate but endlessly fascinating to watch as it’s laid bare. Eisenhower’s roads highway project is intrinsically linked with noir films of the road, and the resulting motel culture lent itself to the disenfranchised drifters and grifters that followed.

There’s even room for a Gonzo style rant where, in true Hall style, he finds a moment between motels and remakes to insert a rant about Star Wars. I especially enjoyed Hall’s inclusion of The Grapes of Wrath – novel and movie versions – and On the Road as major contributors to the Road movie trend.

As we move into another era of shifting cultural values and a new wave of disenfranchised voices, the road movie – which, in Hall’s opinion, has been practically dead since the 70s – seems particularly prevalent. Whether the road movie has any place in Occupy culture remains to be seen — but it seems the road movie has disappeared in its own fashion: it died… or, if Hall’s expectant ending suggests, after a sojourn in Australia and Europe, it simply went home.

Rich Hall’s Continental Drifters is available to watch on BBC iPlayer until Monday 29 November.

Read more: Rich Hall’s How the West Was Lost; Rich Hall’s The Dirty South.

Categories // Film

Classic Re-Release & Blu-Ray Review: Silent Running

11.14.2011 by Nicola //

The Classic: Silent Running (1971)
Director: Douglas Trumbull
Starring: Bruce Dern

No Excuses:
Douglas Trumbull’s hugely influential debut hit Silent Running is a staple sci-fi for those who know their C3POs from their Johnny 5s. Now earning its 40th Anniversary re-release, the film that introduced us to cinema’s favourite drones – Huey, Dewey and Louie – is making a triumphant return in Blu-Ray form.

Synopsis:
In the no-longer-distant future, botanist Freeman Lowell orbits the earth on board the Valley Forge – a vast greenhouse dome which cultivates edible crops to be converted into modern space-food. Waiting to be tasked to return home to earth to defoliate the planet, he and his crew are called upon to destroy Valley Forge’s greenhouses and return the ships to commercial use.

The Review:
Trumbull’s very own space odyssey returns to cinematic form in this Blu-Ray re-release, with lush forests and cure wildlife set against the infinite backdrop of space. Bruce Dern’s passionate Lowell seldom raises his voice above a whisper, but becomes the master and commander of his own little corner of the universe and small staff of willing droids. It’s a sparse but touching tale that has lent its message to films as recent as Wall-E and Moon.

The Verdict:
On second viewing, Huey and Dewey became by far my favourite characters. The interactions between Lowell and his loyal worker droids is complemented by stunning visual effects, which in this latest Blu-Ray incarnation are crisp and colourful as ever. It’s a delightful 3-hander (mostly) with whom you’ll be over the moon (a-thank-you) to spend some quality time.

Favourite Quote:
[As Huey and Dewey perform their tree planting actions in the wrong order:]
“Well, that’s pitiful. Pitiful! That’s exactly the opposite of what it’s supposed to be.”

Further Reading for Experts:
Almost Human – a discussion of robots on film over at The Big Picture Magazine.
Animation Comes to Life – Huey, Dewey and Louie feature alongside Wall-E and other animated droids in my long essay on anthropomorphised robots on film.

Silent Running will be re-released on Blu-Ray on Monday 19 November.

Categories // Film

Review: Arthur Christmas

11.10.2011 by Nicola //

Aardman studios lays the first claim to the Christmas cinema season with CG-animated Arthur Christmas. Voiced by James McAvoy, he’s the hapless young son of Santa (Jim Broadbent) and brother to the head honcho’s militaristic heir, Steve (Hugh Laurie). All seems to have gone well this Christmas Eve – Santa Malcolm’s 70th hi-tech mission – but after the festivities of the evening’s rush present drop are complete, it transpires that a child has been missed.

Co-opting Grandsanta (Bill Nighy) along with his trusty old-school sleigh and reindeer (Dasher, Dancer, Prancer, umm the one with the white ear, and you, and you), the family eccentrics are joined by an enthusiastic gift-wrapping elf, and so begins the treacherous sleigh-ride as the rag-tag amateurs try to reach poor Gwen with her shiny new bicycle before the Christmas magic is lost.

Beautifully animated with some intricate sequences and a dash of Aardman humour, it’s a safe family-pleaser with the requisite all-star voice cast and smattering of interesting accents. While it references Aardman’s main man Nick Park, however, it channels close to none of his trademark humour or visual idiosyncrasies. Substituting the studio’s famed jocular spirit for something far more vanilla, its international aspirations are at the expense of British charm. A cheerful 3D frolic for the family, but not much more.

Arthur Christmas is released in UK cinemas on Friday 11 November.

Categories // Film

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